by Georges Simenon [translated from the French by John Petrie]
France, 1942
Although it's not too difficult to find any number of otherwise sensible people willing to tell you that Simenon's one of the greatest crime writers ever, man, I'm not sure what the eff they're talking about w/r/t the seriously uninvolving The Widow. At its heart a nod to the eternal appeal of both senseless crime and "the stale breath of love" (108), this bleak boy meets girl noir introduces you to an unlikely (and unlikable) couple in the form of the dull Jean, a former rich kid who has just been released from jail for murder, and the equally dull Tati, a middle-aged schemer who spends most of the mercifully brief novel annoying both Jean and the reader with her bossy, jealous, and clingy ways. That things don't turn out happily ever after for the two charmers is maybe nobody's fault but their own, but Simenon himself is definitely to blame for the unconvincing dialogue and a brutal ending that's telegraphed so far in advance as to seem contrived. Note: readers who enjoy Jim Thompson's lesser works and/or an unnecessary amount of attention paid to sordid characters' farmyard chores may find this book much less vachement décevant than I did! (http://www.nyrb.com/)
Georges Simenon
Up for Grabs
If anyone's interested in trying their luck with The Widow, I'd be happy to surrender my ex-TBR copy (bought remaindered in 2009 for $5.99) to the first person who claims it in a comment.
Up for Grabs
If anyone's interested in trying their luck with The Widow, I'd be happy to surrender my ex-TBR copy (bought remaindered in 2009 for $5.99) to the first person who claims it in a comment.


