Fantômas

Fantômas (1998 Artificial Eye DVD)
Directed by Louis Feuillade
France, 1913-14
Silent with French intertitles and an English translation

I got a kick out of Allain and Souvestre's first Fantômas novel from 1911, and I absolutely loved Feuillade's Fantômas-inspired serial Les Vampires released later that same decade. But while I'm glad I finally got to see this 1913-14 nitrate about "the genius of crime," I'm sorry to confess that it's almost criminally slow at times. The five serials included here--Fantômas (A l'ombre de la guillotine), Juve contre Fantômas, Le Mort qui tue, Fantômas contre Fantômas, and Le Faux Magistrat--seem to follow the novels fairly faithfully, so part of the problem may be that the only elements of surprise come from the visual rather than the narrative end of things. It also doesn't help that there are no Musidoras slinking around in black bodysuits here, but I won't criticize Feuillade for that psychosexual lapse since he would redeem himself casting-wise in Les Vampires just a few years later. What we do get instead is a cornucopia of costume changes for M. René Navarre in the title role (looking particularly sinister below but often committing his crimes "disguised as a proper bourgeois" as "Fantômas expert" Kim Newman giddily points out in his commentary), a representation of Montmartre as the center of the Parisian underworld (take that, Amélie!), and murder scenes involving "gloves" made out of human skin and a boa constrictor slithering in and out of a bedroom window. Other than that, I don't have much else to add except that l'accent circonflexe is a cruel, cruel invention that should be abolished immediately if not sooner. (http://www.artificial-eye.com/)

Fantômas: not just your average criminal

P.S. I keep forgetting to mention that my on-again/off-again movie blog, Gambling with Countess Dusy Told, is on again at the moment. For those not offended by a little shameless self-promotion, here are the links to four recent reviews.

• Let the Right One In (Tomas Alfredson, 2008)
• The Scarlet Empress (Josef von Sternberg, 1934)
• Eastern Promises (David Cronenberg, 2007)
• Chandu the Magician (Marcel Varnel and William Cameron Menzies, 1932)

A Séance with Countess Dusy Told

As some of you already know, I have another blog, Gambling with Countess Dusy Told, that I started last month with the idea that it'd be an all-movie sort of thing free of the "distractions" of languages, literature and the like. While I now ponder killing that blog off Dr. Mabuse style and bringing all the movie reviews back home to Caravana (their ancestral home before my recent caffeine binge anyway), here are some links to the non-French/non-Spanish films viewed for Gambling in June. In the meantime, is it really cold in here or is it just me?

• A Cottage on Dartmoor (Anthony Asquith, 1929)
• Die Nibelungen (Fritz Lang, 1924)
• Anna Boleyn (Ernst Lubitsch, 1920)
• The Most Dangerous Game (Ernest B. Schoedsack and Irving Pichel, 1932)

Gambling with Countess Dusy Told

Just so you all know, I've started a new blog dedicated to movies from both the silent and sound eras. While Caravana de recuerdos will continue to focus on films produced in the Romance languages-speaking parts of the world, please feel free to check out Gambling with Countess Dusy Told if you're interested in reading about all those other movies made with less-mellifluous languages like German and English. In other words, the barbarians are at the gates!