martes, 4 de octubre de 2011

Marcel Schwob's "Bloody Blanche" & "Los señores Burke y Hare: Asesinos" (Peril of the Short Story for R.I.P. VI)

"Bloody Blanche" ["Blanche la sanglante"] & "Los señores Burke y Hare: Asesinos" ["MM. Burke et Hare, assassins"]
by Marcel Schwob [translated from the French by Chris Baldick and Marcos Mayer]
France, 1892 & 1896

With people like our good friend Jill so easily grossed out by the playful medieval love poetry of Juan Ruiz, I'm not sure what she or anybody else would have to say about French decadent/Ubu Roi dedicatee Marcel Schwob's truly revolting "Bloody Blanche."  A reimagining of the fairy tale as an Oldboy-style revenge fantasy, this gruesome four-page short story's only real purpose seems to be to put its 10-year old title character--both the object and the agent of almost all of the story's violence--in situations where rivers of blood soil her tender young flesh and clothing.  Creepy (and not really good creepy if you ask me!) but maybe something to get excited about for fans of the "genre: murder" narrative tradition as one website I came across this weekend laconically put it.  After "Bloody Blanche"'s perverse red-on-white excesses, "Los señores Burke y Hare: Asesinos" ["Burke and Hare, Assassins"], a fictionalized biography of the real-life serial killers who terrorized Scotland in the 1820s, almost qualifies as wholesome family entertainment in comparison.  In any event, I really enjoyed Schwob's arch, surprisingly humorous approach to the material here. For example, after comparing William Burke to a character in The Thousand and One Nights on account of the two men's shared propensity for enjoying storytelling and killing others as the only outlets for their "sensuality," Schowb then devilishly lavishes praise on Burke for his "originalidad anglosajona" ["Anglo-Saxon originality"] in coming up with the more beneficial endgame for his "errabunda imaginación de celta" ["roving Celtic imagination"]: while the fictional slave merely carved up his victims after his crimes, Burke, a much more forward-thinking man, sold his victims' bodies to science for use on the dissection table (277-278).  Elsewhere, in what will have to serve as the final words on this piece, Schwob teasingly turns his sights on the art of biography-writing itself when he explains why he'd rather leave Burke and Hare "en medio de su nimbo de gloria" ["in the middle of their halo of glory"] than spell out how the criminals met their end:  "¿Por qué destruir un efecto artístico tan hermoso llevándolos lánguidamente hasta el final de su carrera y revelando sus debilidades y sus decepciones?  Solo hay que verlos allí, con su máscara en la mano, vagando en las noches de niebla"] ["Why destroy such a beautiful artistic effect leading them listlessly along down to the end of their career and disclosing their weaknesses and disappointments?  Far better to picture them still out there, masks in hand, wandering around in the fog-shrouded nights"] (285).

Sources
"Bloody Blanche" appears in Chris Baldick, ed.  The Oxford Book of Gothic Tales.  Oxford: Oxford University Press, 2009, 245-248.  "Los señores Burke y Hare: Asesinos" is the last of 22 bios to appear in the Spanish version of Schwob's Vies imaginaires as translated by Marcos Mayer under the title Vidas imaginarias.  Buenos Aires: Longseller, 2005, 275-285.  By the way, here's a link that I just found to the original "MM. Burke et Hare, assassins" in French.  Enjoy!

8 comentarios:

  1. Ha ha - thanks for once again making my day by following up "gruesome" "rivers of blood" "creepy" and "truly revolting" not to mention "a reimagining of the fairy tale as an Oldboy-style revenge fantasy" with "I really enjoyed Schwob's arch, surprisingly humorous approach to the material here." But no gag-inducing video to accompany the material?

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  2. I'm glad you read it so I don't have to.

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  3. Good for those Oxford editors. I never would have guessed that they had cast their net so wide.

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  4. Funny how much gets communicated by the three simple words "Ubu Pere dedicatee."

    You're really embracing the RIP spirit!

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  5. *Jill: It's a challenge for me as a "reviewer," of course, but I'm kind of hoping that the descriptions in these R.I.P. posts of mine will be gag-inducing enough without me having to lean on the artificial aid of videos and such all the time. :D Anyway, "Bloody Blanche" was the only real gross-out story here; the one on Burke and Hare, the funny one, was more about aesthetics/art.

    *Isabella: Excellent! I wish there was some way I could capture that quote of yours in a drop-down menu for comments, though; I get the feeling that it would be very useful to a high percentage of shy visitors in particular and just visitors in general here. :D

    *Scott: LOL. The second piece was way more "fun" than the first, though, trust me!

    *Tom: I was surprised as well. To show that the Schwob selection wasn't just a one-trick pony, though, they also included Alejandra Pizarnik's ace "The Bloody Countess," which is sure to be WAY too surrealistic and violent for many fanciers of trad "Gothic" works in my opinion.

    *Emily: Ha, glad you caught that thing about Jarry's dedication--it saved me so much pointless explaining about Schwob's one-man disgust project! Have to say that while reading for R.I.P. has been fun, I still wish I could have seen what works you would have chosen for the event. Maybe if you get bored, you could treat us to a list of what your possibilities might have looked like...

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  6. I recently thought I should read some Marcel Schwob again. Not so sure about these two though.

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  7. *Caroline: Ha, that seems to be the consensus reaction to these two stories the last couple of days (although I do see a potential split forming along gender lines). In any event, I don't think Monsieur Schwob is helping me win friends and influence people among R.I.P. VI readers... :D

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